{"id":484,"date":"2025-06-02T13:00:33","date_gmt":"2025-06-02T10:00:33","guid":{"rendered":"https:\/\/bernakaya.com.tr\/blog\/?p=484"},"modified":"2025-06-02T13:00:33","modified_gmt":"2025-06-02T10:00:33","slug":"merdivenler-tasin-zamanin-ve-anilarin-uzerinden-gecerken","status":"publish","type":"post","link":"https:\/\/bernakaya.com.tr\/blog\/merdivenler-tasin-zamanin-ve-anilarin-uzerinden-gecerken\/","title":{"rendered":"Merdivenler: Ta\u015f\u0131n, Zaman\u0131n ve An\u0131lar\u0131n \u00dczerinden Ge\u00e7erken"},"content":{"rendered":"\n

Bir merdivenin ba\u015f\u0131nda durdu\u011funuzda, nereye \u00e7\u0131kaca\u011f\u0131n\u0131z\u0131 bilmeden ad\u0131m att\u0131\u011f\u0131n\u0131z oldu mu hi\u00e7?<\/p>\n\n\n\n

Merdiven, yaln\u0131zca \u00e7\u0131k\u0131lan ya da inilen bir \u015fey de\u011fildir. O, yava\u015flaman\u0131n, duraklaman\u0131n, bazen d\u00fc\u015f\u00fcnmenin, bazen \u00e7ocuk seslerinin yank\u0131land\u0131\u011f\u0131 bir aland\u0131r.<\/p>\n\n\n\n

Kimisi ah\u015faptan, kimisi ta\u015ftan\u2026 Baz\u0131s\u0131 g\u0131c\u0131rdar, baz\u0131s\u0131 sessizce ta\u015f\u0131r seni bir basamaktan di\u011ferine. Her biri, bir ge\u00e7i\u015ftir asl\u0131nda. Bir emek, bir kararl\u0131l\u0131k, bazen de bir teredd\u00fct\u2026<\/p>\n\n\n\n

Kimi basamaklar diktir, zorludur; t\u0131rmand\u0131k\u00e7a yorulursun ama zirvesinde ba\u015fka bir manzara kar\u015f\u0131lar seni. Baz\u0131lar\u0131ysa al\u00e7ak ad\u0131mlarla usul usul \u00e7\u0131kar\u0131r, d\u00fc\u015f\u00fcnd\u00fcrerek, a\u011f\u0131r a\u011f\u0131r. Kimisi ta\u015fla \u00f6r\u00fcl\u00fcd\u00fcr; y\u00fczeyleri y\u0131pranm\u0131\u015f, kenarlar\u0131 yosun tutmu\u015ftur. Reng\u00e2renk seramiklerle s\u00fcslenmi\u015f olanlar\u0131 da vard\u0131r; daha ilk bak\u0131\u015fta g\u00f6ze \u00e7arpar. Kimi dar bir yoku\u015f gibi k\u0131vr\u0131l\u0131r, kimi geni\u015f basamaklar\u0131yla sessiz bir ge\u00e7i\u015f sunar.<\/p>\n\n\n\n

Ve baz\u0131 merdivenler vard\u0131r ki\u2026
Sadece \u00e7\u0131k\u0131lmaz, adeta y\u00fcr\u00fcrken hissedilir.
Tarihin ihti\u015fam\u0131, ta\u015f\u0131n sabr\u0131, mimarinin zarafetiyle birle\u015fir.
Avizelerin alt\u0131ndan ge\u00e7erken ba\u015f\u0131n\u0131 kald\u0131r\u0131rs\u0131n; g\u00f6zlerin duvardaki i\u015flemelere, tavandaki fresklere tak\u0131l\u0131r.
Bunlar yaln\u0131zca ad\u0131m at\u0131lan de\u011fil, kendini ad\u0131mlar\u0131nla fark ettiren merdivenlerdir.
Bir salona de\u011fil, bir \u00e7a\u011fa, bir g\u00f6rkeme \u00e7\u0131kars\u0131n.<\/p>\n\n\n\n

Mardin\u2019in dar sokaklar\u0131nda, ta\u015f duvarlar\u0131n aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f, zamana direnen merdivenler vard\u0131r. Her biri adeta \u015fehrin haf\u0131zas\u0131n\u0131 ta\u015f\u0131r. Safranbolu\u2019nun ah\u015fap evlerine \u00e7\u0131kan merdivenler, ge\u00e7mi\u015ften bug\u00fcne uzanan bir \u00e7izgi gibidir. E\u011fimli, cilal\u0131, yer yer \u00e7atlam\u0131\u015f\u2026<\/p>\n\n\n\n

\u0130stanbul\u2019da Galata Kulesi\u2019nin eteklerinden Karak\u00f6y\u2019e uzanan merdivenler; bir yandan \u015fehrin h\u0131zl\u0131 ritmine e\u015flik ederken, bir yandan g\u00f6lgelerin ve tarih\u00ee izlerin ta\u015f\u0131y\u0131c\u0131s\u0131d\u0131r. Ritimli ad\u0131mlar\u0131n, yava\u015flamalar\u0131n, durup etrafa bakmalar\u0131n mek\u00e2n\u0131d\u0131r onlar.<\/p>\n\n\n\n

Bu merdivenlerin aras\u0131nda bir tanesi vard\u0131r ki, k\u0131vr\u0131ml\u0131 yap\u0131s\u0131yla sadece ad\u0131mlar\u0131 de\u011fil, ge\u00e7mi\u015fle bug\u00fcn\u00fc de birbirine ba\u011flar: Kamondo Merdivenleri.
Galata\u2019da y\u00fckselen bu zarif yap\u0131, Musevi banker Abraham Salomon Kamondo\u2019nun torunlar\u0131na g\u00fcvenli bir ge\u00e7i\u015f sa\u011flamak amac\u0131yla yapt\u0131rd\u0131\u011f\u0131; ama zamanla \u0130stanbul\u2019un mimari belle\u011finde kal\u0131c\u0131 bir iz b\u0131rakan bir hat\u0131rad\u0131r.
Art nouveau ile neoklasik zarafetin i\u00e7 i\u00e7e ge\u00e7ti\u011fi k\u0131vr\u0131mlar\u0131yla, hem bir hayranl\u0131k duygusu hem de bir h\u00fcz\u00fcn ta\u015f\u0131r.
Yukar\u0131 do\u011fru y\u00fcr\u00fcrken, ta\u015f duvarlar\u0131n serinli\u011fi ve g\u00f6lgelerin sessizli\u011fi insan\u0131 \u015fehrin tela\u015f\u0131ndan al\u0131r; ge\u00e7mi\u015fe, bir an\u0131n\u0131n i\u00e7ine b\u0131rak\u0131r.<\/p>\n\n\n\n

Ege\u2019nin kasabalar\u0131nda ise daha dingin merdivenler, yoldan ge\u00e7enin g\u00f6z\u00fcne ili\u015fir. Beyaz badanal\u0131 duvarlara yaslanm\u0131\u015f, begonvillerin g\u00f6lgesinde kalan; kimi zaman bir kediye, kimi zaman ya\u015fl\u0131 bir sandalete ev sahipli\u011fi yapan ta\u015f basamaklar\u2026 Onlar yaln\u0131zca bir ge\u00e7i\u015f de\u011fil, ya\u015fam\u0131n i\u00e7inden s\u00fcz\u00fclen detaylard\u0131r.<\/p>\n\n\n\n

Porto\u2019nun yoku\u015flu sokaklar\u0131nda uzanan merdivenler ise ta\u015f\u0131n yorgunlu\u011funu ve denizin yak\u0131nl\u0131\u011f\u0131n\u0131 bir arada ta\u015f\u0131r. Kimi merdivenler, sararm\u0131\u015f duvarlar\u0131n g\u00f6lgesinde bir \u00e7ocu\u011fun topunun pe\u015finden ko\u015far, kimileri terk edilmi\u015f bir avlunun izlerini s\u00fcrer. O \u015fehirde basamaklar, sadece \u00e7\u0131k\u0131lan de\u011fil; zamanla a\u015f\u0131nan, ya\u015fanm\u0131\u015fl\u0131\u011f\u0131 emen hat\u0131ra ta\u015f\u0131y\u0131c\u0131lar\u0131d\u0131r.<\/p>\n\n\n\n

Portekiz\u2019in yaln\u0131zca Porto\u2019su de\u011fil, Sintra\u2019s\u0131 da merdivenlerle konu\u015fur. Porto\u2019nun ta\u015flar\u0131 nas\u0131l ge\u00e7mi\u015fi f\u0131s\u0131ld\u0131yorsa, Sintra\u2019da da sar\u0131n\u0131n, k\u0131rm\u0131z\u0131n\u0131n ve ta\u015f\u0131n i\u00e7 i\u00e7e ge\u00e7ti\u011fi Pena Saray\u0131\u2019na \u00e7\u0131kan basamaklar, sanki bir masal\u0131n i\u00e7ine ad\u0131m atar gibi hissettirir. Her rengin ard\u0131nda bir \u00e7a\u011fr\u0131, her duvar\u0131n g\u00f6lgesinde ge\u00e7mi\u015fe dair bir f\u0131s\u0131lt\u0131 vard\u0131r<\/p>\n\n\n\n

Balkan co\u011frafyas\u0131nda, \u00f6zellikle Bulgaristan\u2019\u0131n eski mahallelerinde ya da da\u011f k\u00f6ylerinde, merdivenler hem evlerin d\u0131\u015f cephesinde hem de avlularda kendini g\u00f6sterir. Ah\u015fapla ta\u015f\u0131n bulu\u015ftu\u011fu bu yap\u0131lar, k\u00fclt\u00fcrel ge\u00e7i\u015flerin de bir yans\u0131mas\u0131 gibidir.<\/p>\n\n\n\n

Ve yol Roma\u2019ya \u00e7\u0131kar\u2026
\u0130spanyol Merdivenleri bir \u015fehrin ritmini ta\u015f\u0131r; sadece \u00e7\u0131k\u0131lan de\u011fil, soluklan\u0131lan, beklenen, kalabal\u0131\u011f\u0131n i\u00e7inde ya\u015fam bulan bir mek\u00e2nd\u0131r.<\/p>\n\n\n\n

    \n
  1. y\u00fczy\u0131ldan kalma barok mimarinin g\u00f6steri\u015fli k\u0131vr\u0131mlar\u0131, zarif detaylar\u0131yla Piazza di Spagna\u2019y\u0131 Trinit\u00e0 dei Monti Kilisesi\u2019ne ba\u011flar.
    Oradan ge\u00e7en herkes bilir ki bu basamaklar yaln\u0131zca iki mek\u00e2n\u0131 de\u011fil, bak\u0131\u015flar\u0131, ad\u0131mlar\u0131, an\u0131lar\u0131 da ayn\u0131 hik\u00e2yeye katar.<\/li>\n<\/ol>\n\n\n\n

    Turistlerin foto\u011fraf \u00e7ekti\u011fi, yerel halk\u0131n solukland\u0131\u011f\u0131, \u00e2\u015f\u0131klar\u0131n bulu\u015ftu\u011fu bu basamaklar , ta\u015f\u0131n \u00fczerine sinmi\u015f hayat izlerini saklar..<\/p>\n\n\n\n

    Hayatta da bir merdiven gibidir bazen. H\u0131zl\u0131ca t\u0131rmand\u0131\u011f\u0131n anlar olur, sonra bir basamakta durur, nefes al\u0131rs\u0131n. Ya da \u00e7\u0131kt\u0131\u011f\u0131n\u0131 sand\u0131\u011f\u0131n bir yerde, asl\u0131nda inmekte oldu\u011funu fark edersin\u2026<\/p>\n\n\n\n

    Ve belki de as\u0131l mesele, nereye \u00e7\u0131kt\u0131\u011f\u0131m\u0131zdan \u00e7ok, hangi basamaklarda nas\u0131l durdu\u011fumuzdur. \u00c7\u00fcnk\u00fc baz\u0131 merdivenler, sadece ad\u0131mlarla de\u011fil, anlarla hat\u0131rlan\u0131r.<\/p>\n\n\n\n

    \"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

    Bir merdivenin ba\u015f\u0131nda durdu\u011funuzda, nereye \u00e7\u0131kaca\u011f\u0131n\u0131z\u0131 bilmeden ad\u0131m att\u0131\u011f\u0131n\u0131z oldu mu hi\u00e7? Merdiven, yaln\u0131zca \u00e7\u0131k\u0131lan ya da inilen bir \u015fey de\u011fildir. O, yava\u015flaman\u0131n, duraklaman\u0131n, bazen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-484","post","type-post","status-publish","format-standard","hentry","category-her-gun-yeniden-baslarim"],"_links":{"self":[{"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/posts\/484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/comments?post=484"}],"version-history":[{"count":1,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/posts\/484\/revisions"}],"predecessor-version":[{"id":486,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/posts\/484\/revisions\/486"}],"wp:attachment":[{"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/media?parent=484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/categories?post=484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bernakaya.com.tr\/blog\/wp-json\/wp\/v2\/tags?post=484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}